Vanessa returns to Opera Theater of St. Louis as Maria Celeste/Eos in Philip Glass’ Galileo Galilei. Directed by James Robinson and conducted by Kwamé Ryan.
Vanessa makes her mainstage debut with Arizona Opera as Zerlina in Don Giovanni. Conducted by Daniela Candillari and directed by Tara Faircloth.
Vanessa returns to Minnesota Opera in a role debut as Adina in Donizetti’s L’elisir d’amore. Conducted by Christopher Franklin and directed by Daniel Ellis.
Vanessa debuts with the Phoenix Symphony as the soprano soloist in Handel’s Messiah conducted by Tito Muñoz.
Vanessa returns to Opera Omaha as Norina in Donizetti’s Don Pasquale conducted by Gary Wedow and directed by Octavio Cardenas.
Vanessa debuts with Lakes Area Music Festival as Norina in Don Pasquale. Conducted by Christian Reif and directed by Ian Silverman.
Vanessa makes her role and house debut at Opera Theatre of St. Louis as Despina in Mozart’s Così fan tutte.
Vanessa debuts with the newly reimagined San Antonio Philharmonic under the baton of Kazem Abdullah singing Samuel Barber’s Knoxville: Summer of 1915 and Mozart’s concert aria, Bella mia fiamma.
https://saphil.org/event/classics-8-kazem-abdullah-conducts-barber-and-mozart/
Vanessa returns to Opera Omaha in her role debut as Susanna in Mozart’s Le nozze di Figaro conducted by Steven White.
https://operaomaha.org/season-tickets/current-season/22-23/the-marriage-of-figaro
Vanessa makes her role debut as Marie in Donizetti’s La fille du régiment at the Ordway Music Theater in St. Paul, MN.
https://mnopera.org/season/2022-2023/the-daughter-of-the-regiment/
Vanessa returns to Houston Grand Opera as La Mujer in Javier Martínez and Leonard Foglia’s El milagro del recuerdo.
https://www.houstongrandopera.org/events-tickets/2022-23-season/el-milagro-del-recuerdo/
Vanessa makes her role and house debut as Carolina in Cimarosa’s El matrimonio secreto with Florida Grand Opera at the Adrienne Arsht Center in Miami, FL.
Vanessa makes her role and house debut as Juliet in Gounod’s Romeo and Juliet with Boston Lyric Opera.
Vanessa debuts with Madison Opera and the Madison Symphony Orchestra in their annual Opera in the Park celebration under the baton of John DeMain.
https://www.madisonopera.org/oitp22/
Vanessa debuts as Belle with Opera Parallèle in their innovative production of Philip Glass’s “La Belle et la Bête” blending live opera with Jean Cocteau’s original, iconic film of the same name. Conducted by Nicole Paiement.
Vanessa makes a role and house debut portraying Marzelline in Beethoven’s “Fidelio”, conducted by Timothy Myers.
Vanessa returns to the Washington National Opera to create the role of Alicia Hernández in Kamala Sankaram’s RISE conducted by Robert Spano.
https://www.kennedy-center.org/wno/home/2021-2022/written-in-stone/
Vanessa debuts with the Virginia Symphony as the soprano soloist in Handel’s “Messiah”.
An Afternoon of songs by Mexican composer Jorge Sosa accompanied by Kathleen Tagg on the piano. Premiering a new song cycle with text by Stephanie Fleischmann. Marc A. Scorca Hall at Opera America. Free - vaccination required, masks required.
Vanessa will join Aural Compass Projects for their “New Works, New Voices” concert singing Colombian composer Juan Calderon’s “6 Songs for Soprano & Guitar” at Marc A. Scorca Hall at Opera America. Proof of vaccination required.
Vanessa debuts with Arizona Opera in the title role of the world premiere of “The Copper Queen”, adapted as a full-length feature film presentation. Screening at Harkins Movie Theaters in Phoenix, Tucson, and Scottsdale. Composed by Clint Borzoni, libretto by John de los Santos. Conducted by Daniela Candillari, directed by Crystal Manich, produced by Manley Films.
As co-curator and soloist Vanessa returns to her hometown “Among Friends” as Fort Worth Opera’s kick off event of the season, specifically celebrating LatinX music for Hispanic Heritage Month.
Vanessa joins Minnesota Opera at Allianz Field for this very special celebration of Opera and Latin-American music conducted by Miguel Harth-Bedoya.
Vanessa makes her role and house debut in the iconic role of Rosina with conductor Michael Sakir.
Vanessa returns to her home company to sing Adele in the comic classic Die Fledermaus directed by David Gately, conducted by Joe Illick, and performed at Fort Worth’s stunning Bass Hall.
For more information please visit: https://www.fwopera.org/2020
Vanessa returns to her home company to sing Adele in the comic classic Die Fledermaus directed by David Gately, conducted by Joe Illick, and performed at Fort Worth’s stunning Bass Hall.
For more information please visit: https://www.fwopera.org/2020
Ms. Becerra makes her WNO debut as Zerlina in Don Giovanni directed by E. Loren Meeker and conducted by Evan Rogister.
For more details please visit: http://www.kennedy-center.org/calendar/event/OUOSE
Ms. Becerra makes her WNO debut as Zerlina in Don Giovanni directed by E. Loren Meeker and conducted by Evan Rogister.
For more details please visit: http://www.kennedy-center.org/calendar/event/OUOSE
Ms. Becerra makes her WNO debut as Zerlina in Don Giovanni directed by E. Loren Meeker and conducted by Evan Rogister.
For more details please visit: http://www.kennedy-center.org/calendar/event/OUOSE
Ms. Becerra makes her WNO debut as Zerlina in Don Giovanni directed by E. Loren Meeker and conducted by Evan Rogister.
For more details please visit: http://www.kennedy-center.org/calendar/event/OUOSE
Ms. Becerra makes her WNO debut as Zerlina in Don Giovanni directed by E. Loren Meeker and conducted by Evan Rogister.
For more details please visit: http://www.kennedy-center.org/calendar/event/OUOSE
